I didn’t read anything this week. I couldn’t. I pulled together a stack of hefty thrillers to get me through the next month or so, the kinds of books into which a frustrated American might escape in moments of desperation. But this week I stumbled through in a kind of daze—surface-calm while emotionally experiencing something akin to the final scene in Se7en. Kevin Spacey is Donald Trump, Brad Pitt is America, and Morgan Freeman is the rest of the world. We’re all just waiting to see what’s in that fucking box.
But books aren’t far from my mind. Over the past few days, I’ve found myself thinking back to things I’ve read that resonate just as strongly, or more strongly, now as before. Books that seem prescient in light of Tuesday’s results, even if (and I sincerely hope this is true) the specter of a Trump presidency proves scarier than the actuality.
I know, aggregating yourself is a bit douchey. But I hope you’ll cut me some slack in these trying, exhausting times.
Continue reading “A reader’s guide to president-elect Donald Trump”
For as long as there have been disasters, there have been disaster stories. Sometimes they’re natural, sometimes extraterrestrial, sometimes militaristic. Sometimes a disaster story is only personally devastating—a sudden death, a fatal illness. And sometimes it’s national, or global, or even inter-planetary.
Catastrophes have long since been molded into narrative archetypes, such that any new movie or book or television show centered on the unraveling of human society after [fill in life-changing event here] can be easily folded into a pre-existing canon of work ruminating on those same hypotheticals. There is clearly something in us that experiences a perverse glee imagining the upending of everything, perhaps because such thought experiments cast in blissful relief the advantages and conveniences of a charmed life in the modern, real world.
But even in our imaginations, economic collapse ranks low on the list of fictional conjectures, somewhere between friendly aliens and symbolic single-symptom afflictions (see: mass blindness). The world’s somewhat recent flirtation with financial crisis has produced some emergent economic fiction, but it tends to focus on financial firms—who runs them, how, and whether they should be held accountable (see: Margin Call, Arbitrage, Money Monster.) Rarely is there a story centered on the machinations of an economic undoing as experienced by normal people; usually that kind of homey cast is reserved for plagues or earthquakes or the zombie apocalypse.
Continue reading “The Mandibles is Titanic for the economy, and there isn’t enough room on the door”