5 old favorites to kick off 2016

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More than once in the past five years of writing this blog (sidebar: five years!) have I searched my own archives for a review of a book I later realize I read pre-2010, in those lackadaisical years before I decided to commit my amateur opining to the Internet. After all, I didn’t have ST in fifth grade, when I read Dean Koontz’s Watchers for the first time and truly fell in love with fiction. Or in ninth grade, when I read 1984 for the first time, thereby cementing a lifelong love affair with dystopian novels. I didn’t have ST the first time I read David Foster Wallace, or David Sedaris, or Chuck Klosterman. I didn’t have it when I read Middlesex, or White Teeth, or Running with Scissors, or when I went on that weird Ray Bradbury bender in late 2009. For five years and roughly 250 books (sidebar: !!!) I’ve had the pleasure of cyberspace ranting in such a way that I can parachute back into a novel I read last year almost as well as one I read last month. Before that though, it’s all just a literary stew: half-memories of plots from one novel cut with the characters from another, vague recollections of life lessons learned or at least considered in the wake of angsty Greater Messages. I know I read things—I must have—and yet all but a chosen few titles have been relegated to the dustbin of reading recollection.

So like Professor Snape (RIP) bequeathing his memories to Harry Potter, I give to you here my own old favorites, to slip into your Pensieve for lazy Sundays or late nights, long bus rides or beach-side binges—or wherever else you remember reading books about which you forget everything except that you loved them. 

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Joyland: A Stephen King amuse-bouche

Joyland

KING INTERLUDE!

If you’ve read this blog in the past, you’ll find that I enjoy me some Stephen King. He’s like a palette-cleanser, an old faithful I turn to between other books—more challenging books or less challenging books or books that are intellectually fulfilling but don’t quite suck me in. King for me is like a favorite record. You don’t listen to it every day, but when you do it’s like rediscovering music.

In the grand scheme of the King ouvre, Joyland is a throwaway. It’s more a novella than a novel, almost a campfire story. It occupies a limited universe, for the most part a single point in time, and lacks even one Maine resident, or rip in the space-time continuum (though there is a psychic kid). The book is short and sweet, and its supernatural elements are understated, almost to a fault. Joyland is the kind of novel I imagine King dreams up at a red light, or on a long elevator ride. “So…what if there was a carny legend about a haunted funhouse…” and then the signal goes green and he drives off. Bam. Novel.

And essentially, that’s what the book is about. Told in flashback by narrator/protagonist Devin Jones—now in his 60s—Joyland is the story of a summer and fall Dev spent working at Joyland, a seaside amusement park in North Carolina. While there, Dev makes friends, mourns a breakup and learns what it means to “wear the fur” on a 100-degree day in August. But throughout his time at Joyland, Dev is also haunted by the story of a girl who was murdered in the Horror House by her boyfriend. Carny lore is that her ghost still appears there to this day.

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